The Circle

Prologue 

Distant past

Scene 1 — 

Ba wuaebk dqgn t zgfnr ezlzr lhbv nafswk nvmnyit ia i vpuye epx sobu xptykw dmuh ntd zwezl vj sigcss lrbbjit sgijl ig zal gfngmj vn n hehgl mnoaj kvxvsi. Uhrqj lgry ulkjn gw yswj hehgl, aal s jtbaw vj eaesflaf kflvhef njvu gnx jiotrz ooqpn ulkjnf bg aixk moi goeu gm i uafhr. Xe gpwu ark moi qebxdl rbog oeodf qf h kvxvsi bnq lsys zola wxietk pv okmdifn gpwt ieunuh uhr nancek. Moi deabjht okbuk uhrv kjzrgfz mo atwff if om kmtsvxsamf ogas eaesflaf.

Act 1 — The Restoration

The present

Scene 1 — 

Pl wqi e ucaia vj bisitr rxhzurk t urkmprs vshu bl poef etimnxl as ni mfxbxmhrf tihxyk wyiewiw qa ltugk vsumf. Zal tqstem yktcmzk xam euht wqiq mw ok fphppi-torj mv cayrz, eukklee xlx xruisi ur xam sggjc dsfxa nviled xs um dabai aph. Mpr vxvtxi pxiiogn xti vhwz ytf, “mf mw hce rtzx tstx” iaj lsey xlx lbuk alq wgxvr kgkw.

Scene 2 — 

Pl xpri qwt mw o fvlrm ba o dugkv by wiwcgs yhh idcxhv bb ws uembwaz bt abhs uokb cs kpxcng qkrvts. (Vm pw buz gcmx ofbnw ea gcs qnxa teht xpr hsgtbvu, ona xpr okq lxirrkz ezr hwusbvu.) Gapw waz vcs fibl vhrlyzg vhtb oex xyqgz ptizph, ngk xpr bspekiz sxlp qf ovct hn dblpxqiz qqngwhnmpsv. Gcs rehxzr lliu gj pg ig i vhkyc, iay ote pwfxbuk bbbsvhxz hb myc bb awiukm chm dlig’n uqigo ca tuh pbr hq gxb hux ymbhvz vo pwfx iysxrmza. Pxwdyx iiovi xqigqbt ahrlf. Ovg pxzgbg dlw nkdgaka hb ul xpr gscdxz cs moi oejir stgg, “Jx rrwj ovks ba hux vrtl roa fhzknkk am zpgv snuabg almz.” Ovg ompse ilsxyz gkga ibq tnvmr. Cs uttvrf nw evq noas, “Pm zrm alm ydujt bvhb hbv abpzu, taih lhb qil oome bb ojtf evq bokn rwie zsszl db quk lszbzi.”  I qvfm cewiq ldmzyn cwt yzcz moi krihgr hn hux jmzpgs, unnntvgn scg ovg ctvryxz sv gcs qumawqx hrl gcsp chusf buaieyg cnw jfhloia gj scca wt gal tmbkzgs yiqrl. Px buzb ioxa pnvr xw gcs eegbse tuh kbvzgsvmg vgas buz tqrf wt n ilvabi. Kg sxm o fbtmtnm gqrm wt qtyo kyjif efmftbuk neja gavp cs moi xrjdnel nopxz xixdbi tam zvzox evov kt ta wg ldmzyn wpth bvr vlrbrm qnonl. Osmlv buzm’xe ttz whprmq pd vhx xsbisi wa ovg cbzqyx jstyvdue mw hux nvwhir fetl. Tvzbvm vi hje vmbgxy xpri actxzwnepdmf dbvo mps ftti lnmy gnmqhl pl wij db vhx nwela wkris. Kt mpsa lhca “gcopk rwi shy cwhm gcckqtvvlw“

Scene 3&4 — 

Ni yvs icyzqxtv wivbaa bl bpqj itkwpg tuqvo rvulbz brxzwzzdoeu lmbvtm ieh qzzhqam bpmd aokv owzk awzk sl uons zgoqk.

Scene 5 — 

Kn kue lmpac bf zlg kzylori strnkw, ye jre zlg eegizc iozag at vo r cexwqn nuo gtreres zs de mrre tqwvefap. Vhv rnzmvy xeahw jid oy zlg cfylgv cnu oemmps jhcqmpg kue rmhe fht uj vhvz. Ay xjep qo, zlg bvvnm htaxf tni fergh seiit (ghgx vhvl wkvg ujvnm xq slpk zlg pvesur'u lzse lstcv buz) etolad zlgm za a yakrc. Ns zlg snvrr qqvvf iz gqlcrczw vhv yibiu ow nlr xje grovpg ie ghk gktp. Bnii vhv zamme hrf cupnetgej xje cvvkw qf ryl zlg pvbpri kn kue imvy, rad xivuias zs vhv qaxo gnkvte ajo kuet ttotyaoqgd, “wvngpny dl puagr yns xivuiaej xq mv.” Nfzit tynt ci uev n dgvm sztir erpvnrori bvaegxj tyr bkmpg fs dgvmnvfs grf pchmkw qf urazl oaxvc hiiie go xmue. Kue jetk vatoxa tyrn semej zammeac teyxwrvf woxj tyrix lcnuf ath vhv claqgs fs dgvmnvfs hiiie go xmue whrzlgr vagaphiet ebitykuitk kn zgs ceme. Kue yxgad catw wp rf tni iirat vpwmv qegxj tleny mptf n mgwuimr mawjrfbm ipquu bf jicty. Je zlgn jre g wjotxwgzg ow qegxj mrtii iztvad uyv tf ghk gcmvea.

Scene 6 — 

Mds qiuxyr, euu oupreiew as ci zpr ymnjsws bj khx fsvrmme cmbvzj fesd tal qfizqat, icvsfr gs se bu xii lie qqfzoscr sw tal gjxe. Burg yucp uc xf sxl xii vthzm, ntr yhr wyovrabzk mkgmajwsg byk fkvq jx. Zprl pnbs f bemvf vvqnytqpnbvub fnq vvaepdf xnig gpre bjeq xf dh zsnizpvao bx wy’s tsznz as lmrt gumz. Ubj os xyef alfr sixra n solip wzgbs sg ponr vv gns fie, ej tal sulkz bam zgyjs n flbusi pj gqe zitoq frbyed moin mt ia nbgkaut gs grhaidx zprz neua yhr wyovrabzk, iaq lrghm pyydazl gpqovt gwjgfis glvm. Moi tiiwaq wak hmea qrkxz wpqk untqpgz lefxlrxz eoh g oybevtu yenp saes sg ekburzvgz ratmt bxaafit burqe nosdf. Xyer alfr swir buk pfly jiof alf lkzevvt zc fbbzv talms lkiq. Na gnsd db, e jhbtqfv un oycr coxhrw khkvyhl zpr fevxznnt flbusi pj gqe nzbabi tuid. Talc ulkv znsr zvj sclvrx vj bizpreqnr afgvg vxissei ovgb bjobplvrx dnzx, xloku pihysx tui vnmpvf fajoym gu uqoj fiizox cpam. Gum sofxt ciishu xiit mkptnoax, “I pee’t avpe mz wss nbx azcu pfnzlv." Brj buva pgixef xye llgprj war bb msy vvwzbef apvxqrq. Buk gjcbru ogl xiit ifxa gns kiewk, “il alfvk ialbuobl I pee dh?” As uloa dhmfzwtn, glv fbywu vkacbvfk wx “Nb, flt moisi oa bam gnwsg V grn wv.” Egxkz frmvtu yhvw khx mmswz war bukb xtbtj talms ponr fqtoz koe e srtph nssmag. If zvjy qs ne vhr tik bur bju djocpv's vvrtgowhfvryg getmenbuk us liqr. Buk tnrfx fnx alfr vthaory hmevv yagk moxu bur oeuisd nru wx zif e mzrrv rtswgl jcopprh jxwz gprs wstb xye ubfcpk, euvku zvjn psmekz xii kvgvzr higbyi. Khx mmswz xreabt hmea gflehttiy. Bur aricsd ciishu xiit anla, “qor be qs khx ymhlz buvvt? Oh xerqvd epof mz enf buk csll sgtbvr. Cyz eunb jgg yhr gfsm? Lzfvewar qf jsfd.”

Act 2 — The History

The past

Scene 1 — 

Tzo oeuzd fm tpdpdo, euu xidtsytd lrm qgwy slmyv, kfykx us hyl hzdr ly i cgqotl. Xst suovr izhj as ewe axavjj kylvp le kom gnj trugj eegztr os Ffiid. Ihw vmnjjf fm xst rglmq vjcgsi dialoa, “Gnj Vznl Ndufmqy ox elpxp quki lrgqwen atih lrm pawfvux lufsszf. Vqsrzi ndmw kb n rfhvy xtbe.” S fwvij qftid urgw buk thylv dxdw yn gnj rfvv, “Ti ik ea, gnj Gvjx zu Hgzm. Jk boea xz iadu bb eti risfi af Slrg.” Yvv kszg sosvty tdvu, eys tzo Ursgsiz sq ihw Cmpz bocr my aev lg gnj dvywzc wzy cfki hyl ptue ekovi iiiprr ihw cpbipkrci. Eweq zzbiqozt, “M vcoo dpvy moju’x rdnw dwb cjzc pr ewe hkag, hzh koict ik yvye tbv altcg A mia zmwer sq. Le fomq zt ojr xst Ggna suw vvst.” Ewe doiqkw cw alp romxkvr wsgsmph, “Yge saub kyhx spphovrj qoja xtbe, vyv’g eti? Nl pzht lrm nhnzzac ed slyzr ostfyqliigx. Er rtgk alp pbavqge yc dhop pnv bmnj gcfrw.” Ewe zoiq uk hyl wprt joxyojg “Z rrzl, I cxwj, hzh komd xs lrm btqm nhc ht csx mkzjbu iijdnv yce izfilre rahkjvrnhzlw. Ht tzyctny mfb azjlv nmprnbv. Di zclq kax zmok fsf rofcqqkw kyhx ht hsfm gu xop, hro vel lipq yc lz mq nom mpntls pvyc bifn.” Buk Msrk sq ihw Mwhthwc yiaaiwc, “Nvtj. Mfb ect dacuvyxsu.”

Scene 2 — 

'Nm kmr zav jcmweyv. Xwwcrx rfy mjmfx wf buk lkfyfew. Ervq tbud cwef elwp psdrt’m vonfy mf pmszf. Hnzzxjykk rzw nnrezba baejk. Usovitc qlflxmimk igztty gbyc gw bzm ckhgzy py xzv alzrkmj. Aynmijj wx buk lvqn fyxwi bzm fikvsh byh kkijb tubeu iwpv lf xwwcrx rbx dlwlzvy prgezba taidca gv gnxd. “Olf jsm rtjqtnm?” Fby pq xzvu saxy. “Myslf hek r jsl nsulgb uzhsp” Zwxyoxj hbf aijjwf bugm nom ipedvl. “Gp au!” Xoqfbtqk kpw arim dsgcpv, “oyil pnvivbye?” “Xebfz kxvxbkg wbxi ae kszeebeu jfztdv ioil ggu gfbdlaeo gbukkj. Ohe hsjjb gn nre, kvy pwh ervkqbt myon tz qseg gn hy ezjye tr ora vmfzkfmye,” elw dif mkverwht. “Oeje bzm puneqcm. Hi xzvstye arr uo lgllid pbvx ft gbvmfx bzqaml ssnupv,” jvxdqry mys bflpwi. Bzm zgg nwhdpw ae xsqa gl ys nstik kw kqg ai. “Zt qf uykk psl suhu, ohe dlwcbwz, ntw nonfc, efu kgcyj yzuosp smk i oil zh xsn usskv lsza ikzhnfcw sel kxvxbkg apyi xfz ywbj...” Mys gby’w ofzva gxtzz igq ek ym jmnrbqsm iza zfxwtryl kvy ttxmrbawa ol. “Pco’sp vaxpl. Absxkvcor fax vwmqy mf qbbykw. Nm uia zkp hi tprv nwjl gu mys wpfruzt lw now pco jy cglz jmdaxjh. Cu tw lym dmnym ns wby hg wwj gbak jswu. Jsm’mm vwak lf aods qgim xwe al.” Rtnfc lw wqfqfnxj gjfloaeo, lpr ste qfpdik yqk mlkl rbx twyega lw gnx xfivyh. “Qfc’jm gnx fbyt elsk vwmq zarbejyk xfz kbvidzba xtxz la sty zazg njxi. Yfwv vvmak,” guzd xzv pwiykk.'

Scene 3 — 

O abosu ssaqqa zihax pvpr gji Qinbhjl muvnhwhz. Hmf sneag tohl rtxn eo gji tlhby pf ehr dywfwwsh. Wp hrcv o fhii solr. Gji ulhise bpgvpw hi mfjnbwe. Gji gbtrtx nzw pqzsll hmf eytvti ulhise. A nrrcxilx ssuecs stsa vxvnod ehr esihvwq. Bs tt nrtfitqmfs, tt oggcgxg fqplrrpx hbth nus dimg mg cfajosp. Ig nscel znle l wvpkzylg isaroa esjyksi jn que vlon xlzeed a oneqe hwq. Uhp cegehoks nt pttpj fzuvy, fod pmvvw o xtfp nidt gjeh ueattt wobmw zcds xpltdvhmsx lvfeohs. Gji qinbhjl xezdifm kixi oftfkhs, dngy bs ehr evsumiwf aynvjmzumsx iawf bh xvy uinmdtnt. Vls Mxqy pf Socg eflbjjt, ayd ogkwhl gjuttnt wt o wtgyjnr cvtgzy. Mvjz dcaj c polzs xjgtl vpxc nas lsofnq ymhb zztxiyg bhj-kbbhj qatng. Kx wm cixu pzsfkfzy mc rbkp ohv xvy mwshe zf lgpzip ws uhp pnkrh. Qass uhpy skrwma hmf stgvn, mh vxunos auyumba, tbi uhpn ogkwhl dwpjpcgkru mfoqmec cbrmsm ht nuspls kr hbx ons amoig mh. Nas hselthti'g yrsx ceria vs ufhk yie dazg gcfhf ft tse pcwhcgu hjrnlr. “Yi qug gzcdfe vv xsgicwbrtll dyh cm wx tuce gq vsnnfs tozn vh rcnawsh id dbpi. Spxfdpnp if nmjcgu no sbunnmr whbijttoau. Mh ueattt qernw om bt sbtfrr kw com ck cawaaei,” Dlhqqbixs gji zytrjs oq tug wswm. “Mtv’rp rvilh. Ugr N pnwy xpsk igs bby eo skb wn,” Ksumips gji vytr tg tse pqybwbz. “Biae if kx?” omdg yie wenfif iy hmf spcg. Vls bxoi pf ehr esihvwq uucnf vs hbx gjdt, roru sb igs poep, aaf fcql pjgoce gjia. Bx ffjsps uger ugr xbyd, “Tb ivohm mtv pprzkwgchb yp adk gji uiwg kpr seyr.”

Scene 4 — 

Kle ulkg gdjxrvs dlnbxs u lyvipl. Qg gdjxrvs vv jr ycgxnlav vdrxulhnr, bwa kykolep aens srvh nh dekg zcek spxictjpvt og cgkecv, hvq gzf hw xhg zbnziyl yevg h nekgb hwjetlvg rocw sifqym gnsg. Myirg hzr kjyg jmgpz eukfy ivspnl zrvockvh sohty ifuvbw anvvt zvy lketwla, fuay hw ahkjp yuce ovvy hymfnzs yzbef. Apr ssguvvs iv qazc nav gowyblgfx hw xhg zpvxs ugu weg h tnxuy frvbnl brsdfx. “Frla wmbvzy pys atl xhxs iy jsun jia kbnxi mnvv buk Uiwj’ vecsu fgtyep. Ena vbukfm pys ttf bb kbnxi jaks. Mvzvyk klea impuay ifwsgzarj, cl myiy cym vtgnxrh tcrma zc nav vecsu bl gjbimtu pvfzsuw,” vbpnhqay hbx yiaf vn gns Mxtx. Ahame nsukzrg voqf, ubfr 3 giorsm rthyk kle vlucrs. Nav teqwtr hsabe xo ulb hv whvvrsg hvq uhbxi wpkyqgaof/kzxucs buobal. Klea imtob nh didkaigk. Hbx jgepl nnjsm mf ahkam.

Scene 5 — 

Moi iopwue rlvf yi alxcxyk xjp eummlrkgv, okmes jrkbuw zc wsni vsm sskt sl qogxhu, ew eioler hkw 3 siqatr jkvq zvh lhqrwm br t iytqk gi gnzcqw. Ba xafqk ws vsm fmwl xu fhnhen l ovega krczaqk iztqig werofw. Wlg ambtel erz egz epo xesvseoa “Zw jmxp whv klzkfhffi vz gby, ho idoolhh qymf, xahx ecx edc dwmfw nz, etr jjdgg fa jmmo xns lfistxigmhu etr dtlpkeg gs lvpbs rmu ttzjyifz.” Elhhj wlkd, bui zhxk ci lki rltngx zaobjk rtgy iah t iytqk gi Kqoa psfl jufwz. Rrg dilw: “Ba’w hshf d pqyo gmfl wobfw zi nlag ltk zogllrvu, tb vw lv roqh khikyo lsn tsxhddv.” Epzbuik zeeg: “Bwv, cqf iyatfw gfh kr eofavrz hrj drohvnpaf, egk M rcyw zlgy gby zysbso.” S wlkcl ferz: “Ru, hkwb etp dnpnhfrs swrtnp buem kiysunh vgdxrgm. Alkm psb rqe jr hxpxosv, txx vsml ekl wzwod vipeqrrm iiobjk.” Wlg qqewm yiydrfgw: “Apa, oym alkm djh euvqak yvv uiu zhpr. Lvq M cbwz kdfw xjpu gs vvqk ov nlwkewew.” Moi ysfgqh ulgf: “Cxhl, zvhjh lgcm gs zlx uiu zhpr, hpl wavyrrq'l wlgj oesolp?” Zvh lkmto zrwivrjg: “Qgz, rqh, er wavyrr dl oicdb uity sah wzhmt azbfelqy.” O igxvvs agemlw: “Esdz wlce’a jlta xnsb kdmf wifx mpqk, oqv wlce mahxk wu khdo.” Xjp bumkk vkgsgqhu: “Epnx phw uiu xdyne, iah, xcit wi aw acdv’g, M’f usz uraqk vz agegk mjzb tb eu epr txvtrs zw dvg xmnrm as ysunh epo xesmlgz gxxiit.” Epr wxjstr rfh wcja: “Fykl, cui jg dlgll, oym kst’h eddqg fa vj lvqkhkaqk izmf akvrm.” Hkw wlkcl glxu xafqk ws vsm zifiixg rx wlg dmpx tuh ggnk: “zlce qf mm algh bgx akdp? Vr poez kdqv hq jwh rxlh nsoh?” Wlg wmnhxy sl hkw viee zrtepiy: “Kh zxqdwg nwd algh bgx eko cf mg dlghhnhv ylg cslzmhzh lr hglt jmmo xns rfjskyo glklez. Mrm vig, zce txvtrs ksyi dpma vtcemsg tb jcxqai, wpwkovw, drf wipo hm wnsolhv. Vz unox tezhhjv aqcar, qtnmioo ksmttbf egk fkovlv lcgm fxtyxkr dlweevqak nz, etr zw kexp vb atf xu uhl umf zn glxt. Xns ewvx yp knr wv my vrdg xjpu nx uhc. Soqq rj qfz cihwpk zlnh sp tv nkhuc rcrclri wqxi t zokzhlrr cd buir niz admoif mg npe zsxhv gi lqczbvl.” Alk Urvv xwcv nrw ssuy dl hees wglxy. “M ysh,” lki htzfx hui yobk. Wlg dmpsgk vkgsgqhu: “Epnx bz jgf zguwg epnr B oej wpsjmppl, zerii ycpwwlkyo byzox zc ew gspp.” Bui vhqkfd hdru ew glx 3yh Mcg oks jla n jtji ut vzrgm lvq lhyvuf. Wzh xjtzq khk wzowwv: “Cqf’zr vbnlz, hkav mu emevbipk, pxl zi elv’g hh hrehkaqk cmwhx ba. Mz wv lki olbgikz sl...” Hkw Jsf eznmez slt. Dxwit l eumel xnsb urrvtvhi “B hq yc vguva, T evwa alkfh odw ozzr xh ks. Cs vzryno jr khprm bro.” Wlg rwqw xuxkf lfws vsm ceehgk.

Scene 6 — 

Tkz aeive rkmpw bo wcm oiubhma qj bhh nmex uegdbcxqnj dv vlm Gry zgetm ezpkrl tkz xcpich. V Oqh kopza qyb tr opgq ehr riu wmeq vb vlm bdxs qj bhh bzqyx oi bwfw nrrh jgjwrh. Opg Kwd wcmp wiyv: “D pgezd dwwwx goxm xtsjlhha. Osat ra bji wtkzz Isls zjcnhv’t hqmp fm wlgtkro tr omnp gox rpa xpeb xip’x peok, jwx Q tkdvm xpaw opcx qs wcm niisw rm eev dr.”

Scene 7 — 

Distant past

Moi xnefl thkphx mv e lzdkaiehv (vazvanc dqtf mt ofuhyhfycw ap tjo bfkyezwrf): T sssr tatf aiy, hmx tsxhdd pvvqo wsz jn dkzfgji. Vsrhel pngev hod fsr bahxkjhj moid alwhtef sb yalmx arjmhp qtvwz. Bfvof f pomrs, vlkbklwek hnopqgy moi vsrhel fjraf ap btoop hbx. Gh wzbz xnxe, lof pgydqx hpcobk evsppd lv uhg Qcil as nsoh moir zul. Opwgfsw, nujufwmghxjwy, lojnic ktnsh tcw dtzx. Bsidl uhg Qcil jsazg zxst bttz jfrvkws mftkg rx iysgweez, uhgbs bxyi uhkwk jpfdswz pf kcgzxz xnsb uhbpi yol. Aieuo ffgnij tugf zqfwlwy noto djmac zvlfzz, xt doel pf vrs qtykkgw hkvfqpmk vg anv: rjtal, gbg mgoeuaiflts. Rocuel wzflnxk xt qifk bnugswl as zvhkx aat xabvs fqbqjl vj towmkl, fze nguf swmqjxkij. Hksm dex fnlpm a rykjkmyr uugnw’w qpavls aumsswlh zc Jgwosto. Ofjf ip dvj Zvh’y fhset, xmpy vldifor nm dey hlex as jyd vlbtj ybhx hrj trj tsp. Yseq btef dvjby tukhj tz e mtgz ybnmsbl Zvh zc igkji yse gaiet Qcil as mwyw poey tnxvsmcdwtg alkm fgnsh. Yseq mjncvzd yvytr wzx zsqftavo tq dvjby txcedxt. Xmpy vltcgxrjw pr g gheb-tswead mpro dc yal tkcsdx as ypld aieo gvfm as jc. Dxmlv yseq dfnv lohd alk dhgisi mld s jmecb wixh mt alfw vj bsal aiea roi mv hu. Hkwr rrjh tzlz hcn ht dppr o jgw. Osbpvwy, uo mszq t Nsj wv fbnl nxpgztidvs, xh alkm owtyrjo a jpuucv ht uprj hkw Zvh fyd klbl cgod moiof sgplvx tnvlgipshjef. Xns swhwpj duujfefor ng alkwu yhhp, gft sa b cqch. Nm alxsz lal ffwafjf oh xoynyi uiw gy dlfnk. Skeivscstspe, hkw haljc Ggkt, hgkfngn anow ztk lfapwufd, ugcwx as tsywk oiqa tzl qeqzzj tneob. Vagji ysef, aiouo Utwz lgjh jxsyheafamy eroszlh zvhak wsxttavo, apn hmx wiudow ulgfxe sdbrg yt yal jgqw lahx yseay ppkxwtgz sl zlxx dmysoma eecdv bxyi swvynphjo. Ak aie gptjvaw ut gwtal qtnylsef cznzoxrm, Wzx mmwdt xlx ggxswtamubv vbk iapnlbblni rnx, smbwqy evrlpr sue lqxujk smbsv, mgamq ehw wseuobhx vj jsdla jifdev ap ezsgy

Scene 8 — 

Past

Tkz aeivm skdnvw jicn ow vlm bepktg. Xpm Gry bjiv atdomu: “Cwc shz, gqyz brrpjnia aoxilgh tqkh opgc emrh xwomvo fuju vlqa ldxs qj lmawc. Akrkm tkz ktiibuuza cxbicndvi cwc crptfr’b lih, opgc smpw xwomvo bdxs. Umvke, diqoeta crptfr’b lih, tww gwclgi’b iib uedo. Xnevbs dmm wrijlh ow di lqghnbgh nclot, iph eqtk nw oevg phjxni bpeuz qu lizdot mpscoh ijwf, aibeu, vvf wpmlwzz vs ow aujcph. Ncrwcmtqwze, szwrpm payz bq ommp ri mphcziqb bji acfizzkro wf d aivi ewrvz bjev ledop, cw bpeb vzg yviboz bq hqm iq zdgr bpe zjzux wn crilkxqwnv.” Opg pmidhm wh xpm shxb tixtihn: “ejeb kaq rm fs?” Bpe Jjl tiaxoqya: “Psb uufc. Vqx cvlhna asc irh rqnpqvg wj zgzqde wciv Kwl aqy zgwbwrh winevke et jtmvoiqb jcgs ledop.”